Photo Booths and Photo Booth Photographs
Occasionally amongst your family photos you may find a tiny photographic print or strip of prints from a photo booth. Wikipedia describes a photo booth as a vending machine or modern kiosk that contains an automated, usually coin-operated, camera and film processor. This page discusses the development of the photo booth and gives pointers to dating these small portraits.
The photo booth has a long history and is commonplace in the UK today, being a useful device for correctly formatted photographs for passports, driving licenses, firearm certificates and other identity documents. Even in an age when most of us carry a camera in a mobile phone and take selfies, the photobooth goes a step further and supplies us with a set of photographic prints in rapid time. In addition the photo booth, in its digital format, is enjoying something of a resurgence at the present time as an added amusement at weddings, parties and other events.
Since its arrival, the photo booth has proved to be popular – not just for the practical purpose of obtaining an affordable self portrait, but, because the customer is the operator of the machine, for the entertainment value of pulling strange faces at the camera, cramming in with your partner or friends for group shots, and for some even the excitement of stripping off clothing for a more risque image, taken in the dubious privacy of a tiny space behind a flimsy curtain.
Early History of the photo booth
The first patent for an automated photography machine was filed in the USA in 1888 by William Pope and Edward Poole of Baltimore. Other patents and apparatus followed over the next few years but early equipment lacked reliability and required assistance from a human operator.
These pictures from La Nature 1889 show a French automatic machine invented by Theophile Ernest Enjalbert, which was operated with the help of an attendant. The machine was described in Enjalbert's patent application as "Apparatus for receiving coin and for producing and delivering photographs in exchange therefor"
The Automatic Photograph Co Ltd
The Daily Telegraph & Courier (London), Thursday 08 May 1890, p3, and numerous other papers reported: "Revolution in photography. A photograph delivered automatically in 45 seconds in exchange for a penny. The press of the kingdom declare the invention marvellous. Bristol Times and Mirror - There will certainly be a rush for the automatic photographer. Automatic photograph Company Ltd. Truth. I am told that before long we shall have the automatic photographic camera on the streets and in the railway stations. A friend who inspected the machine at Messrs Salters, West Bromwich, the other day informs me that the likeness is taken within three seconds of dropping the proverbial penny into the slot and that the complete picture is delivered in about 30 seconds. In point of speed, at any rate, this beats Mr Weller’s “profeel machine". Prospectuses will be ready on Saturday next". The Leeds Mercury, Saturday 10 May 1890. p6. reported that a prospectus had been issued for the Automatic Photograph Co Ltd to raise £100,000 capital by issuing 19900 ordinary shares at £5 each and 500 founders shares at £1. The company would be purchasing a machine developed by Mr Isaac Joel, patent no 11,354 of 1889. 1d in slot, complete print in 45 secs, another slot for a half penny and you get a suitable frame.
The Scotsman, Monday 19 May 1890 p1, announced the launch of the Automatic Photograph (Foreign and Colonial) Co Ltd, reg office 5 Copthall Buildings London EC to promote the invention overseas. Various reviews of the apparatus were cited. A demonstration had taken place at Salter and Co, spring balance manufacturers at West Bromwich. The Company Prospectus followed. The cost of materials was reported to be half a penny to produce a penny photo. Frames were 1/2d per gross. £200,000 per country was being asked for overseas patent rights. Advertisements stated that the capital of the company would be returned to shareholders several times over in dividends in the course of the first year. The firm had already received interest in patents for France, Belgium, Italy.
By September / October 1891 both companies were being wound up. There were problems with the supply of consumables. There had also been irregularities, with under-subscribed shares being allocated to fictitious investors and the company apparently having an imperfect title to the claimed patent rights.
A semi automatic machine, the Photautographe, by M Ferrer from Barcelona, illustrated and reported upon by La Nature in 1895.
These early machines produced tintypes. The first machine to use a negative and positive process was invented by the German, Carl Sasse, in 1896.
The apparatus which we would recognise today as a fully automatic photo booth was developed by Anatol Josepho, a Russian immigrant in the USA. His first photo booth appeared in 1925 on Broadway in New York City. For 25 cents, the booth took, developed and printed 8 photos, a process taking roughly ten minutes. In the first six months after the first booth was erected, it was used by 280,000 people. The Photomaton Company was created to distribute these booths nationwide in the US. In 1927 Josepho was paid one million US dollars, plus future royalties, by the company for his invention.
[This story also has a curious UK connection. At one point in his travels Anatol Josepho worked in a stickyback shop at 40 Rákóczi Street, Budapest, Hungary. The stickyback shop had been opened by cousins of Brighton stickyback shop owner Abraham Dudkin. Dudkin in turn had taken over his Brighton business from Spiridione Grossi, who had first coined the Stickyback name. It is possible that, via these tortuous connections, certain features of Josepho's photo booth originated in the humble stickyback and its method of production. We are most grateful for this information from János Mátyás Balogh, a Historian and Archivist from Budapest, whose excellent paper "Anatol Josepho. From Stickyback Photography to the Invention of the Photomaton Photobooth" can be found here on the National Archives of Hungary.]
In 1928 Josepho sold the European rights for the Photomaton to an English/French consortium and the Photomaton was introduced into Europe. A Photomaton Parent Company was established in the UK, taking up swanky headquarters in Regent Street. The Illustrated London News of 25 Feb 1928 reported excitedly on what was to become a new phenomenon in the UK:
Shares in the UK company soared on the back of the publicity the company was getting. In June 1928 a Far Eastern Photomaton company was formed to market booths across China. India, Japan. Egypt, Ceylon and Malaya. The share issue was 10 times over subscribed (Leeds Mercury 15 June 1928 p 2). Later other Photomaton companies were formed for the continent, Eastern and Central Britain and for Lancashire and the Midlands. Investors were keen to take up shares in a company with a modern product which embodied an exciting and profitable future.
In June 1928 the Daily Mirror announced a £100 competition “BOREDOM, GRIEF, SURPRISE, PLEASURE, can all be expressed in your face - try on a photomaton strip and enter for summer photomaton expression competition"
By mid August 1928 Photomaton shares were starting to fall a little and the Directors reported that a new model booth, which didn’t reverse the images, was on the way. They were also developing ways of producing artistic enlargements so that “The strip with its variety of expressions and poses is regarded more and more as a proof for the larger studies”. They warned also of other inferior machines coming onto the market and threatened, if necessary, to exert their patent rights to preserve their market position. In September 1928 a notice, presumably funded by Photomaton, appeared in the press:
In October 1928 rumours of a cash bonus pushed shares up higher - 5 shilling shares in the parent company were trading at 17shillings. But, although the Photomaton booth was an innovative attraction, in retrospect it seems as though UK newspapers only carried advertisements for a trickle of these machines appearing in larger department stores, rather than the deluge which investors no doubt expected. As an example advertisement, the Northern Whig reported on 6th October 1928 “EIGHT FOR A SHILLING. Bank Buildings Photographic Installation, One of the new Photomaton automatic cameras, in which eight different photographs are taken in eight different positions, has been installed at the Bank Building - Belfast, and it will no doubt meet with a great deal of patronage. Accommodation is provided for two people to be taken at the same time, that there will be no undue waiting. The cameras work on the 1/- in the slot principle, and the person to be photographed simply takes a seat in the cabinet, makes eight different positions, and in less than half a minute the operation is over. The photographs are genuine lasting pictures. The Photomaton is installed on the first floor, and the “shilling for eight”' should be a popular attraction to this well known Belfast establishment.”
In Nov 1928 Schofields of Leeds were advertising “Send your friends an enlarged photomaton photograph for Christmas”. Postcards 3 for 1/9d, Cabinet 3 for 5/6 and Boudoir 3 for 10/6d”. The original 8 portraits in 8 positions were 1/-. On 3rd Dec 1929 the Yorkshire Post carried an extensive Photomaton Directors’ report which stated that machines would shortly be installed in the UK at around 50 per month, arrangements had been made for the installation of Photomaton machines at all the principal branches of Boots and Photomaton lorries with mobile machines would shortly be touring to places not already blessed with booths. The Directors further concluded that there were no other machines in the market which were offering a serious challenge to them.
Further advertisements from various stores appeared in the press in 1928 and 1929 highlighting the delights of 8 portraits for a shilling – the example below is from the Dundee Courier and Advertiser 30th March 1929.
The next advertisement is from Britannia and Eve’s June 1929 edition.
The next advertisement – for children’s photography is from the Western Morning News - Wednesday 19 June 1929
By 16th October 1929 the winding up of the Lancs and Midlands company had been halted and shareholders instructed that the business should continue to operate until auditors of the parent company reported on the move to the proposed Photomaton Trading Co.
By the 12th November 1929 a new Board was in place at the Photomaton parent company, chaired by the Marquis of Winchester. In January 1930 the new Board produced company accounts for the period 1928-1929 showing a £97,000 operating loss and assets worth £2m less than previously claimed – the remaining assets claimed were mainly in the form of intellectual property and shares in subsidiary companies, which the firm’s accountants were quick to state had not been valued by them. At the firm’s annual meeting one of the Directors remarked that the company had hitherto been run more for selling shares than photographs.
In January 1930 the change from the Lancashire and Midlands Photomaton Company to the new Photomaton Trading Co went ahead. But in April 1931 shareholders voted to wind up the new Photomaton Trading Co. (The Gazette 17 April 1931 p2514) The American company was also liquidated, but the UK parent company limped on, with a trading loss of £10,000 in their 1932 annual report. By 1938 the original Parent company had also been dissolved (The Gazette 7 Jan 1938 p115) As a result of the Photomaton problem the Stock Exchange Committee passed rules prohibiting the public flotation of the shares of any company formed to exploit a new patent until the company had published its first year’s profits.
But the Photomaton booth lived on. By 1938 the British Automatic Company Limited had taken on the distribution of the Photomaton booths which were by this time made in the USA by the International Mutoscope Reel Co Inc in New York City. In the early 1930s the Mutoscope company redesigned the booth, producing a smaller more attractive art deco style cabinet. This redesigned booth produced a single photograph supplied in a durable pressed steel frame with an advertising label on the reverse. Below are two Photomatic portraits. in pressed metal mounts 67 x 79mm. The first is of Ronnie Collins from Beaumont Cumbria. This would appear to be from the 1930s. The place taken is not stated. Did Ronnie visit the USA or was this taken somewhere in the UK? The second example was taken at Madame Tussauds in London in 1939. (reproduced with the permission of Ron Cosens (www.cartedevisite.co.uk)
The British Automatic Company had a long and interesting history. It was founded in 1887 and over the years had installed and run vending machines, weighing machines and amusement machines across Britain, in particular at railway stations. At the same time that Hatry was developing the Photomaton parent company, another of his companies, the Associated Automatic Machine Corporation Ltd, set about buying up a number of other vending machine companies and bought up over 90% of the shares in the British Automatic Co. No doubt because the British Automatic held many valuable site licenses, Hatry’s company continued to trade in the British Automatic name. The Hatry collapse financially damaged this business also, but it managed to survive and continued in being until the 1960s.
In the USA the International Mutoscope Reel Co, then owned by William Rabkin, continued to make improvements to develop the Photomaton and re-named it the Mutoscope Photomatic, later the Delux Photomat. At this point the machine produced a strip of four images, a format with which we are familiar today. It could be that at this point the UK distributors of the Photomaton booth started to use the phrase "New Photomaton", as shown in the mount of the example Photomaton image below. The image here is 2¼ x 1½ in with black border with rounded internal corners. Below this are two other mounted New Photomaton portraits, with similar dimensions and design of mount. These are from Ron Cosens collection reproduced with his permission and both of these have the location and date handwritten on the reverse "Blackpool 1952". It is likely that from the 1930s onwards there were a number of entrepreneurs who purchased Photomaton machines and installed them in arcades and other locations with a good footfall. One such entrepreneur was Cyril Astor in Rhyl, with machines in North Wales and on the Kent coast. Another operator named in the prospectus of the Photomaton Trading Co in 1931 was Colin Mason, who was operating in parts of England and Wales. Another example, from Scotland, shows a High Street studio set up with a booth. The Fife Free Press 29 March 1930 p2 carries an advertisement " It is a duty to yourself and friends to be photographed at least once a year. The New Photomaton Way makes it easy. No weary posing nor waiting. 8 pleasing proofs of 8 different positions handed you in 8 minutes and only cost 1/-. Then you can have a choice of various sized portraits from 6/- to 60/- per dozen. Call or phone Caithness Bros, photographers, 301 High Street Kirkcaldy" (The phrase "handed to you" in the advert suggests that this machine had an operator present.
Photomaton produced postcards into which your portrait could be stuck. Below is an example where someone has inserted a Players cigarette card into the oval space provided for the portrait.
Below is small buff card folder from the French Studios Photomaton, issued by Studio Sams, 26 Bd des Italiens, Paris, probably from the 1930s/40s. It would appear that this folder was supplied with orders of duplicate photographs as this example contains three identical prints. The folder shows that in Paris the Photomaton machine was providing 6 different poses for 6 Francs, ready in 8 minutes. The folder advertises the prices of enlargements, hand coloured prints and postcards, and also lists the number of Photomaton machines operated in each country - with 225 in the USA, 125 in the UK, 86 in Germany and 72 in France.
The next image is a Photomaton Camera Study of an unknown young woman. This is a 5 x 2.8 inch enlargement is fixed to a 6 x 8in wrap around brown mount - the image is protected by a sheet of striped semi translucent material. The quality of the presentation and of this image is of a higher standard than would be expected from a reproduction of a photobooth image
Below are two Photomatic portraits. in pressed metal mounts 67 x 79mm. The first is of Ronnie Collins from Beaumont Cumbria. This would appear to be from the 1930s. The place taken is not stated. Did Ronnie visit the USA or was this taken somewhere in the UK? The second example was taken at Madame Tussauds in 1939. (reproduced with the permission of Ron Cosens (www.cartedevisite.co.uk). On the reverse of these are silver labels. These have the "Photomatic" trade mark and the manufacturer's details. The second example also has name of the supplier, the British Automatic Co Ltd. Labels also have a space for the owner to add personal details.
As a footnote to the Photomaton story, in 1945 the only press reports which could be found were small ads in the Belfast News Letter stating “Photomaton Machines wanted in any condition. Representative now in Ireland”
The great initial interest in the Photomaton machine spurred on other inventors and manufacturers in the UK. Two rival companies entered the market while Photomaton shares were riding high. These were Photo-Matik and Auto Portraits
The Sheffield Daily Telegraph on Friday 28 September 1928 gave news of a new photo booth under the headline "SELF-PHOTOGRAPHY. Efficiency of New Automatic Machine". "Is there any limit to human ingenuity? It seems only a few months ago (writes a correspondent) since I attended a demonstration of a shilling in the slot automatic machine that presented each user with eight excellent little photographs of himself in the space of eight minutes. It was an American invention, quite new to this country at that time. Since then two other rather similar machines have made their appearance on the market, each claiming to be an improvement on its predecessor, and there was a Press demonstration yesterday of a further venture in automatic photography, which appears on the face of it to be a distinct advance on anything that has gone before. It rejoices in the name of the "Photo-Matik", and is a joint invention of Mr. J. I. Stealey, the photographic genius, who originated” sticky-back photos thirty years ago, and Mr. Stanley Hart. It is semiautomatic only, and is described as "100 per cent. British.” The sitter enters a cabinet, inserts sixpence in a slot, and having achieved a satisfactory pose before the camera, presses a button which makes the exposure. A fresh pose and a further exposure follow, and then a third before the sitter leaves the cabinet. Seven or eight minutes later he or she receives a strip of three full postcard size portraits of considerable artistic merit and as, unlike most “automatic” photographs, they are taken on a negative, an unlimited number of prints can be obtained at short notice. The company running Photo-Matik proposes to open various centres and to fit out a number of cabinets mounted on a motor chassis which will tour fairs, shows, and pleasure resorts in various parts of the country. If the enthusiasm of the Pressmen present can taken as a guide, the new machine should prove to be extremely popular."
Photo-Matik's head office was 9-11 Harrow Road, Edgware Road, London, W2. Stanley Hart, of Cornwall Gardens, Brighton and James Isaac Stealey of 2 West Street Mansions, Brighton, the joint inventors, both received £5k in cash and 100,000 shares each in the new company, Photo-Matik portraits Ltd. The joint inventors were retained for 2 years as technical advisers. The Leeds Mercury on Tuesday 30 October 1928 p.3 reported that Woolworths were trialling the Photo-Matik and would be taking on more machines than originally planned. Accordingly Photo-Matik shares would be giving a higher yield than expected.
Another company, Photo-Matik Foreign Corporation Ltd., was floated to sell the Photo-Matik design in other countries.
Photo-Matik was quickly advertising for staff as shown in this advertisement from the Yorkshire Post Wed 21 Nov 1928 p2: "PHOTOGRAPHY— Vacancies in Leeds for Female Dark Room Assistants; some previous photographic experience essential; one week’s London training is paid, 35s. also accommodation found and fare paid both ways; suitable applicants, after training. offered post with wage £2 and bonus per week.—Apply immediately, Photographic Department. Photo-Matik Portraits, Ltd., 9-11, Harrow Raid. London, W. 2. C"
All appeared rosy at first for Photo-Matik. The Western Daily Press covered the company's Annual Meeting on Friday 11 January 1929, p10, when the Chair reported some of the installed machines already exceeding their projected profit figures and that machines were in place in London, Liverpool, Leeds, Manchester, Bradford, Cardiff, Newport, Bristol, Plymouth and Dublin. The Daily Herald reported on Monday 18 February 1929 p7. "PHOTO-MATIK Photo-Matik Foreign Corporation, Ltd., announces that, contracts having been concluded with financial groups in Hungary and Italy, a first supply of Photo-Matik machines is now being dispatched to these two countries. The company is exhibiting a machine at the Leipzig Fair in March, and at the Brussels Fair in April." Grace's Guide to British Industrial History lists Photo-Matik as attending the British Industries Fair at The White City, Shepherd's Bush, London W12, from 18 February to 1 March, 1929. They had an advertisement in the Fair's catalogue. https://www.gracesguide.co.uk/Photo-Matik_Portraits. The advertisement showed the companies behind the product were: Photo-Matik Portraits Ltd and Photo-Matik Foreign Corporation Ltd.
The Daily News (London) announced on 31 October 1928 that Property and General Finance Corporation Ltd were about to launch the Auto-Portrait Co Ltd with the issue of one million 2/- shares. Over the next few days details of the offering emerged, with a Company Prospectus appearing on 5th November 1928 (Birmingham Daily Gazette p3). Auto Portraits were launching a semi-automatic portrait producing machine, which required an unskilled human assistant to develop and print photographs. A coin in the slot mechanism took 6d for which the customer received half a dozen passport size portraits (different poses) within ten minutes. The sitter was surrounded by six mirrors in which poses could be judged before the sitter fired the shutter using a remote control. The machine used paper negatives which the sitter could buy and from which further prints / enlargements could be made by the attendant. Printing and enlarging was done using reflected light. The company had an unspecified manufacturer lined up to produce the machines. Their intention was to site these in shops, stores, exhibitions and sports grounds, either on a rental or sale basis. Behind the device were inventors Joseph Edmund Bramwell and William Smith, whose services were to be retained for five years. Patents 11639 and 27561 of 1928 covered the invention. The company would also make money from the sale of overseas licenses and from the supply of consumables and the Company would also open some of its own studios. Rental on a machine would be £1 per week and it was estimated that the company would clear an annual profit of £77k from one thousand machines. The company had a strong Board: Chairman, Mr Edward Shrapnell Shrapnell-Smith CBE FCS, Director of The Car and General Insurance Corporation Ltd, Directors Sir John Byford JP Chairman of British and Colonial Horseshoe and Machine Co Ltd, Mr Arthur Croxton, late general manager of the London Coliseum and Arthur Clive Banfield, Fellow of the Royal Photographic Society (Court Photographer) Technical Director,
Auto Portraits quickly negotiated a truce with Photo-Matik, an emerging competitor, not to oppose each other's processes, leaving Photo-Matik to promote they own semi-automatic post card format machine.
The Birmingham Daily Gazette Tuesday 11 December 1928 p9 reported on the first annual meeting of Auto Portraits Ltd. "AUTO-PORTRAITS Ltd, "SIX FOR 6D" Well considered Organisation. The statutory meeting of Auto Portraits, Ltd., was held yesterday at Winchester House, London, E.C. Mr. E. S. Shrapnel-Smith, C.B.E., F.C.S. who presided said: The meeting had been called at an early date in order that the directors might meet the shareholders. When the company receives the further payment in respect of foreign rights it will have the capital available for further trading developments as estimated in the prospectus. After one month of trading we had nine machines working, including those at Messrs. Holdrons, of Peckham, branches of John Thrifty. Ltd., one each at Reading and Newport (Mon.), and two at Glasgow. Within the next four weeks the number will be trebled. This is a good start. " Auto-Portraits" offer two irresistible advantages: positive photographs like those posed for in a studio, and six of them for 6d. On a recent Saturday 350 sitters patronised a single cabinet. " Auto- Portraits" need only 15 seconds per sitting, and in 10 minutes six beautiful permanent photograph, are delivered. At a moderate extra cost an enlargement, artistically mounted, can be made in 15 minutes. Whoever installs "Auto- Portraits " holds the field in automatic portraiture in his district. It places all opposition enterprises out of the running. The cabinet occupies very little space and it can make a hitherto unproductive corner of an establishment, show rooms, or other premises, furnish a handsome profit to the hirer. No skill is required. Junior assistants of average intelligence quickly make adequate operators. There is no outlay on films or plates. The company is prepared to give terms to clients to suit their individual preferences. A hire system at an average rental of only £1 per week promises to be the most popular. Cordial invitation is extended to all who are interested to write to the company et 25-27 Charles Street, Haymarket SW1. The company's manufacturing arrangements are complete. Rapid delivery can be given. Supplies and accessories of all descriptions, including frames and mounts are in stock. The business in hand is most promising. The practical manner in which our staff are handling inquiries has already met with the highest approval. We can guarantee prompt attention and reliable service. No customer is prejudiced for fire assurance purposes by the adoption of the “Auto Portraits” system."
By January 1929 a number of advertisements were appearing in the press announcing the availability of the Auto Portrait apparatus in various locations. Auto Portraits Ltd appeared in two 1930 trade directories, but it is not known whether these entries were for Auto Portrait studios or were simply addresses of commercial premises where machines had been installed. The two addresses were Northgate Darlington and 17a Charing Cross Road London WC.
Artists impression of the Auto Portrait machine in use which accompanied some 1929 adverts.
Below is a portrait of an unknown young woman 43 x 62cm, cut from a strip. Printed on the reverse is a logo in the form of a circle with the words "Auto Portrait" within it. In manuscript the photo is dated April 6 1929 with what appears to be a name and partial address A Rawlands "Hillsbro" Avon? The logo on the reverse appears to be pre-printed rather than a rubber stamp impression. The Company provided their users with consumables so the paper was probably provided with pre-printed logos. We are most grateful to Ron Cosens www.cartedevisite.co.uk for permission to show this photo from his collection.
Auto Portrait photograph, 1929
Amalgamation and decline of Auto-Portraits and Photo-Matik
The Scotsman announced on Wed 1 May 1929: "PHOTO COMPANIES COMBINE. The directors of Photo Matik Portraits ( Ltd. ) , Photo Matik Foreign Corporation ( Ltd . ) , and Auto Portraits ( Ltd . ) announce that they have concluded negotiations for an amalgamation of the three companies . Circulars will be issued later this week to the respective shareholders, setting out the terms of. the amalgamation , together with notices convening extraordinary meetings for the purpose of ratifying the contracts which have been entered into." The Nottingham Journal added on 6 May 1929 that Auto Portraits would be acquiring the shares in the other two companies. Amalgamation would result in considerable economies. Auto portraits were increasing their capital by the creation of 1,500,000 2/- shares of which 800,000 would go to shareholders of the other two companies.
The Wall Street Crash of 1929 and the fate of Photomaton in the UK must have made success for the firm unlikely and in any case all was not well with their business model. The Scotsman - on Thursday 16 January 1930, P3, reported: " Shareholders of Photo-Matik Portraits ( Ltd) had to listen to a sorry tale regarding the early history of their company at to-day's annual meeting . The arrangement the Company had with Woolworths for the installation of its machines in the depots of that concern proved by no means the profitable proposition which had been anticipated . In fact, by February 1929 Messrs Woolworth intimated that the Company would have to withdraw its machines from all branches except those at Edgware Road and Oxford Street. Apparently the space taken by the installation together with the crowd caused, which interfered with business at adjoining counters, was resulting in a loss per square foot of counter space to Woolworths. Rights in certain companies were sold to the Photo-Matik Foreign Corporation but apart from this, efforts to sell rights in other countries, including America and Canada, were unprofitable. Actual costs of production, distribution and servicing were considerably higher than original estimates. It was frankly admitted at the meeting that, should the company liquidate now, it was most unlikely that there would be anything for shareholders. Apparently however there is some slight hope for the future. The whole of the original board has now left the Company, the last of these gentlemen, Mr Alban Gordon, being refused re-election today. The new Board, it was stated, has halved the overhead expenses in the past six months and there was a small trading profit in the period. Apart from the automatic machine, business hopes were held out of the profitable exploitation of a new paper film for use in ordinary cameras, though it is difficult to see where the finance for this is to come from. There is at present, it was stated, about £2000 in the bank."
By January 1931 a Bankruptcy notice had been issued against James Isaac Stealey (The London Gazette 27 February 1931 Issue: 33693 Page: 1397) The London Gazette: 1 December 1931, Issue: 33776 Page: 7783 reported that meetings with creditors had been ordered for Photo-Matik Portraits Ltd, Auto Portraits Ltd and the Automatic and General Photographic Co, another firm with the same address. The London Gazette 12 September 1933 Issue: 33977 Page 6007 reported the winding up of three companies all with address of 90 Cannon St: Photo-Matik Portraits Ltd, Automatic and General Photographic Co and Auto-portraits Ltd.
Below is a portrait of an unknown man in a hat on a postcard which bears a small "photo-matik Paris" stamp on the reverse. Was this an example postcard portrait from an experimental Photo-Matik machine? Nothing has been found in press reports suggesting the firm had a machine in operation in Paris, and the rubber stamp seems rather small and discreet for a company desperate to build a market presence. On the other hand the image part of the postcard is unusually small for a studio postcard portrait.
In around 1932 photoweigh machines started to appear in the UK. These were machines which took a single photograph on which was recorded the weight of the customer and the date. Landport Drapery Bazaar in the Commercial Road at Portsmouth advertised in the Portsmouth Evening News 14 Mar 1932 p1, “To proud mothers. Here is your chance to secure a PHOTOGRAPH together with the weight of your child - all for 2d - 4 seconds to take and the finished print in 4 minutes. The Photoweigh machine is just inside the Front Door Ground Floor.”
A company, Photoweigh Ltd, was registered in the UK on 1/6/1933 to produce and market these machines. Advertisements for staff in some local newspapers suggest that these were machines which had an attendant. For example in the situations vacant column of the Portsmouth Evening News – Thursday 29 June 1939 p12. "TWO GIRLS, attendants for photo-weigh machines, wage and commission.—Apply Photoweigh. Clarence Pier.”
A legal case at Blackpool brought under the Blackpool Improvement Act 1902 involved automatic machines placed in pairs on three sites on the forecourt of Blackpool Promenade – described as machines which take one photograph and give one’s weight and the current date. The machines had been in place from 1934 to 1938 (Lancashire Evening Post, Friday 19 August 1938).
Below is a ticket / portrait from a Photo Weigh machine dated 27 August 1934. This is reproduced with the kind permission of Photo Historian Paul Godfrey. Below this is a contemporary weighing machine ticket from 1934, by S.A.M. Co Ltd of Smethwick (The Soho Automatic Machine Co. Ltd. Albion Works, Brook St., Smethwick, Birmingham. U.K.). This example has a text advertisement; other have been seen with adverts with topographical photographs and portraits of film stars.
Below this is another example Photo Weigh portrait, 40 x 84 mm, which is reproduced with the kind permission of Ron Cosens (www.cartedevisite.co.uk). This example has written in manuscript on the reverse "Helen and Mary Leeds". On the face is the slogan "You get it cheaper at Lewis's". The ticket is dated 24 March, and a figure 9 is just readable as the last digit of the date. The weight shown, 10st 8lbs, is the combined weight of the two young girls shown in the portrait. For obvious reasons a double portrait from a weighing machine is extremely rare. Taking all this information together, it seems likely that this unusual Photo Weigh ticket / portrait was taken by a machine at Lewis's department store in Leeds in either 1939 or 1949. (The store opened in 1936)
More modern Photobooths
In the 1940s in the USA photo booth machines were developed by another company, the Auto Photo Co who rented out, rather than sold, their machines, thus quickly gaining market share from the photomaton booths.
The Photomaton name lived on in France as is shown by the 1980s advertising leaflet below by Ted Benoit, This is a two sided, folded, A4 leaflet.
In 1954 Photo-me Ltd was registered as a company in the UK to produce and market photo booths. This company is still in existence today and is the world’s leading operator of photobooths and a major supplier of other instant vending equipment. Photo-me has around 27,000 photo booths in place globally. Photo-Me is a British plc company and has been quoted on the London Stock Exchange since 1962. In 1982 Photo-me bought up Photomaton and Photoquick with their international operations. In 1998 they acquired Prontophot and Photomaton France. Photo-me has developed a range of different machines over the years, including a classic version by designer Philip Stark. Today over 8 million customers per year use Photo-me photobooths in the UK.
Surviving photo booth prints- can we date them?
The following pointers may help to date small portraits from photobooths and related sources.
David Simkin's amazing site on Sussex Photographers contains his extensive research into photobooths, stickybacks etc, with many excellent illustrations. This page indexes the relevant material. http://www.photohistory-sussex.co.uk/AutomaticPhotoBooth.htm
Wikipedia entry on photo booths: https://en.wikipedia.org/wiki/Photo_booth
American Photobooth by Nakki Goranin, WW Norton New York 2008. ISBN 10: 0393330761 ISBN 13: 9780393330762
The History of the photobooth, Daily Telegraph by Näkki Goranin: http://www.telegraph.co.uk/culture/donotmigrate/3671736/The-history-of-the-photobooth.html
Behind the curtain - History of the photobooth by Mark Bloch: http://www.panmodern.com/photobooth.htm
Photo-me company website http://www.photo-me.co.uk
Photo booth resources on the net http://www.photobooth.net/.
Photobooth Journal – an amazing blog on photobooths and all things related, by Katherine Griffiths. https://photoboothjournal.com
How Have Passport Photographs Changed in 100 years www.bbc.co.uk/news/magazine-30988833
Over 200 example images from photobooths on PInterest https://uk.pinterest.com/mvmc/photobooth/
Irma Benedetto;s Instagram page on photo booths https://www.instagram.com/photosinthebooth/
www.stickybacks.uk is a non-commercial web site for local and family historians, exploring smaller sized portrait photographs and those who worked in this trade.
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