Notes on Post-Victorian Ferrotypes
|Camera and manufacturer / supplier||Related UK patents||When advertised in UK||Media used||Notes|
|Simplex, designed by Ladislas Nievsky, photographer of 14 Gransden Road, Shepherd's Bush. Sold by The Trading Co of England||17860 of 1891||1891 - 1893||Not currently known||Using ferrotype dry plates patented by Nievsky in 1891|
|Duplex, designed by Ladislas Nievsky. Sold by Compania de Photographia Duplex, later the Duplex Photographic Co, (later The Duplex Ferrotype Dry Plate Co) Ferrotype House, 2 Avenue Road, Hammersmith||16126 of 1893||1893 - 1914||2 x 2½ inch plates, no sheathes or backing pieces||Improvement on the Simplex - plates could be loaded in a magazine in daylight. In 1914 the company was advertising plates for any kind of ferrotype Photo Machine.|
|Automatic Photograph and Developing Camera. Or The Self-Contained Automatic Camera. Marketed by Jonathan Fallowfield. Originally L’Operateur Ferrotype Camera made in Paris. Patented by Mario Mendoza||16,962 of 1892||1898-1903|
|Takuquick 1A. Marketed by Jonathan Fallowfield.||1904-1910||Victoria size 1½ x 1¼ inch plates|
|Takuquick 1B. Marketed by Jonathan Fallowfield.||1904-1910||Victoria size 1½ x 1¼ inch plates|
|Takuquick 2. Marketed by Jonathan Fallowfield.||1904-1910||2½ x 2 inch plates|
|Quta. Patent by Herbert E Hickox of Great Yarmouth 1901.Sold by Jonathan Fallowfield||5438 14 March 1901||1901|
|Taquta Automatic Camera. Sold by Jonathan Fallowfield||1905-1910||1inch circular button plates|
|The Auto Dell, sold by Jonathan Fallowfield||1907-1910||2½ x 2 inch sheathed plates|
|The Dandycam, sold by W.Butcher and Sons Ltd, Camera House, Farringdon Ave||1912||1 inch diameter button plate.||Finished product in just 5 minutes, camera price 7/6d, 12 plates for 6d|
|The Popular Ferrotype Camera. A later version of the Quta sold by Jonathan Fallowfield||1908-1915||2½ x 2 inch with special rimmed frames in magazine of 36. A 1911 advert indicated plates were smaller than this at 1¾ x 2¼ inches.||A 1914 advert claimed 75 photographs could be taken per hour|
|The Automatic Wonder Photo Cannon. Mandel Brothers, The Chicago Ferrotype Co.||
8,822, 8 April 1911
|1911 - 1915||1" diameter circular dry ferrotype button plates.||Claimed capable of taking 300 photos per hour. 1915 sold by Jonathan Fallowfield|
|Mandel Combination Post Card Sleeve Camera. The Chicago Ferrotype (Liverpool) Co.||1913 - 1915||Postcards 4½ x 3 inches, 2 x 3 inches, and one inch diameter circular cards||In their 1933 catalogue Jonathan Fallowfield was offering Fasa gelatine emulsion plates sized 3 x 1 ¾ inches "For Mandel Cameras taking 3x2 inches|
|Mandel Junior||1915||3½ x 2½ inches and one inch diameter circular.|
|Mandel-ette, One Minute Camera, The Chicago Ferrotype Co.||21,126, 12 April 1912,
18767 of 1913
|1913 - 1914||Positive cards 3½ x 2½ inches coated with a special emulsion||Advertisers claimed "a boy or a girl can obtain portraits and other photographs with no more experience than can be obtained in a few minutes and by one or two trial exposures."|
|Shell sold by Jonathan Fallowfield||1915||one inch diameter circular button plates.|
|Automatic Telophot Manufactured by The British Ferrotype Co, Blackpool, sold by Jonathan Fallowfield||1914 - 1915||one inch diameter circular button plates.||The manufacturer claimed this camera could produce 300 photos per hour.|
|The Aptus, and Aptus Model A made by Moore and Co Liverpool. patentee H.C.Moore. Aptus Cameras were later sold by Jonathan Fallowfield.||9342, 20 April 1912||1913- at least 1933.
(an improved model for 1915)
|Magazine holding 100 ferrotype Plates 2½ x 1¾ inches||
The Aptus series was one of the most successful of these semi-automatic cameras. A reversing prism which corrected lateral image reversal was available as an extra. By 1933 Fallowfields were offering both ferrotype plates and Aptus cards 2½ x 1⅞, both at the same price.
|Aptus Model B. Moore and Co Liverpool.
||1922 - at least 1933||As model A but revolving back for both portrait and landscape formats||
Model B de-luxe – as Model B but faster F/3 lens
Model B De Luxe Jnr - as Model B but with F/4.5 lens
|Aptus Model C. Moore and Co Liverpool
||1922 - at least 1933||Combination - to take both 2½ x 1¾ and 3½ x 2½ inches with revolving back for portrait and landscape formats||
Model C de-luxe as Model C but faster F/3 lens.
Model C de Luxe Jnr as Model C but F/4.5 lens.
|Aptus Model B de-luxe Junior and Model C de-luxe Junior. Moore and Co Liverpool.||1928 - 1950s?|
| New Aptus Automatic Ferrotype Card Camera. Moore and Co Liverpool. Patented by H.C.Moore
||285,543, Nov 13 1926||1927- 1950s?||Took 50 cards 2½ x 1¾ inches. Around 1931 another model took cards 3 x 2¼ inches||By 1933 this was known as the Aptus Card Camera No 1 and No 2 depending on the lens supplied. Also No S 1 and S 3 in size 3 x 2¼, again depending on the lens supplied.|
|Aptus Autocard Camera, Moore and Co Liverpool.||1933 -||Cards 2½ x 1⅞ inches or 3 x 2¼ inches|
|Prismotype. Patented by A.E.Norton marketed by Fallowfields||204,459 of 1922||1923-||ferrotype plates or direct positive cards 3½ x 2½ inches.||Ferrotype camera with internal prism for correcting image reversal. Also used direct positive cards.|
| Jano Universal Postcard Camera. Janovitch & Co
||1929-1946||a finished positive postcard sized 5½ x 3½ inches||produced first a negative which was re-photographed to produce a positive.|
|Jano Junior, Janovitch & Co, Jano Camera Co from 1953||1952 - 1965||3½ x 2½ inch print.||produced first a negative which was re-photographed to produce a positive.|
In the British Journal of Photography 6 Jan 1905 p xvi, Jonathan Fallowfield advertised:
Why should so many photographers and other men join the ranks of the unemployed when, by investing in Fallowfield’s button apparatus or automatic Ferrotype cameras, they could very quickly pay off the money borrowed and earn a fixed income all the year round?
The primary expense for a complete photo button outfit, carriage paid to your door would be £5. And you would then be in a position to make up buttons by the thousand for the local or other photographer, or, if you had the capital, you could start a small business, but that would mean another £25, so I advise only the outlay of £5 to those who have not sufficient money to buy a photographers practice.
You can be even more independent if you go in for Fallowfield’s Automatic Ferrotype Cameras. For £8 I can supply the camera, plates, stand, mounts, envelopes, trays, developers and all necessary articles, carriage paid. Of course this trade flourishes better in summer, but there is a demand all the year round and the worker will be able to pay his hotel expenses and make profit at every and any seaside resort round England, and a more enjoyable and healthy business could not be found.
Fallowfield's 1907 Takuquick Ferrotype Camera, Victoria size, complete with developing box, the complete kit could be purchased for £5.5.0.
Fallowfield's Auto Dell Ferrotype camera, 1907, taking 30 sheathed ferrotype plates 2½ x 2 inches, claimed by the manufacturer to be capable of producing up to 30 portraits per hour
Fallowfield's Popular Automatic Ferrotype Camera with f/6 portrait lens, from a 1914 advertisement, priced at £3.10.0.
The Aptus Ferrotype Camera, sold by Moore & Co 101 and 103 Dale Street, Liverpool, from a 1914 advertisement. The camera cost £3.10.0 and a hundred plates were 4/6d.
The Wonder Cannon Ferrotype Camera by the Chicago Ferrotype (Liverpool Co, advertised in 1913
1915 advertisement for the Mandel Combination Card and Button Camera by the Chicago Ferrotype Co
1914 advertisement for The Automatic Telophot button camera by the British Ferrotype Company, Blackpool
Surely the ultimate in ferrotype kit. The manufacturers of this 1915 Wonder Cannon Automatic Button Camera claimed that it took and finished ferrotype button photos at the rate of more than 6 per minute. It was by the Chicago Ferrotype Co of Chicago Buildings, Whitechapel, Liverpool; Chicago; New York etc.
In 1906 Sharpe and Hitchmough of 101 and 103 Dale Street, Liverpool offered ferrotype supplies. These included
Ferrotype Plates "Special" Buffalo 14 x 10 inches, black or chocolate, per doz. 3s 6d; per box of 200 sheets £2, half box £1.1s, quarter box 11s.
American cut-up ferrotype plates. Per box of 8 doz., black or chocolate
2 ½ x 2 inches 1s 6d;
3¼ x 2 ¾ inches 2s 6d;
4¼ x 3¼ inches 4s per box.
Ferrotype envelopes, new designs
1/9, 1/6 and 1/4 size, 100 for 1/6d, 1000 for 11s (1/9th plate would have been 2 x 2½ inches, 1/6th plate 2½ x 3½ inches and quarter plate 3¼ x 4¼ inches)
5 x 4, 100 for 2s, 1000 18s,
Victoria 1/9 (i.e.2 x 2½ inches), 100 1s 3d, 1000 10s 6d
New designs of ferrotype envelopes from Sharp and Hitchmough, Liverpool, 1906.
1911 advertisement by Jonathan Fallowfield illustrating special rimmed ferrotype plates used in their Popular Camera.
Jonathan Fallowfield advertised in 1914 (British Journal Almanac 1914)
Ferrotype Dry Plates (Collodion Emulsion) The Fallowfield Brand.
Owing to the enormously increased output of these plates, I have been able to reduce the price, and at the same time improve the quality and greatly increase the speed, and can assure users that the present "J.F." brand is the very finest quality plate ever put on the market. I shall be pleased to cut plates to any size required.
1 in circle rimmed in magazines ready for loading into "Wonder Cannon" and similar cameras. per tube of 100, 2/9d, post 3d
2.5 x 1.75 inch unsheathed for Aptus camera per packet of 100, 4/6d, post 4d
2.5 x 2 inch per packet of 36, 1/9d, postage 3d
2.5 x 2 inch with special rimmed frames ready for loading into the Popular Camera per magazine of 36. 3/-. post 4d
3.25 x 2.75 inch unsheathed per packet of 12, 1/-,postage 2d
3.5 x 2.5 inch unsheathed per packet of 12, 1/-, postage 2d
4.25 x 3.25 inch unsheathed, per packet of 12, 1/6d, postage 2d
5 x 4 inch unsheathed, per packet of 12, 2/3d, postage 3d
6.5 x 4.75 inches, unsheathed per packet of 12, 3/6d, postage 4d
10 x 7 inches, unsheathed, per packet of 12, 7/-, postage 6d
14 x 10 inch unsheathed per packet of 12, 14/-, postage 9d
6 x 9 cm unsheathed per packet of 12, 1/-, postage 2d
9 x 12 cm unsheathed per packet of 12, 2/-, postage 3d
13 x 18 cm unsheathed per packet of 12, 4/-, postage 4d
25 x 35 cm unsheathed per packet of 12, 14/-, postage 9d
4.5 x 6 cm per box of 100, 4/6d postage 4d
6.5 x 9 cm per box of 50, 4/6d postage 4d
This is a 1913 advertisement from Jonathan Fallowfield for superior brooches to mount button photographs. As the advertisement suggests cheaper stamped out mounts were on the market.
In their 1933 catalogue, Jonathan Fallowfield described direct positive cards in the following terms:
Positive Cards - Straco Blackbak. These cards are for producing direct positive photographs, and considered to be far superior to any other make of card. Used in conjunction with Straco combined developing and fixing salts splendid black and white results (without a trace of yellowness) can be obtained. They have a highly glazed surface and are free from liability to rust. Supplied packed face to back all one way, without paper between, they are ready for loading in Prismotype and other cameras. Sixes offered were: 2.5 x 1.75 inches, 2.5 x 1 ⅞ Aptus, 3 x 2 , 3 x 2 ¼ Aptus, 3 ½ x 2 ½, 4 ½ x 3 and 5 ½ x 3 ¼
Some indications are given below of 19th Century ferrotypes. Measurement of a surviving example and comparison with the media column of the camera table above, then checking the advertised dates column may give a "not before..." indication of date. The illustrations of mount designs above may assist. Printed information about the photographer on the mount of backing paper is seldom to be found. Image content will ultimately play perhaps the biggest part in dating ferrotypes, but this can be very difficult on very small sizes.
Two examples of 19th Century unmounted ferrotypes. The above two unmounted ferrotypes measure respectively 2 x 2.1 inches and 1.9 x 2.8 inches. The subjects and the photographers are unknown. The first, of a man in a cap has been produced by the wet collodion process - the mark across the top of the plate shows where the liquid chemicals have not flowed evenly over the whole of the surface of the plate. Dry plate ferrotypes were first introduced in 1891. The second ferrotype of a child, supported by a woman who is mainly out of shot, is a chocolate coloured plate. Both of these have clearly been unevenly cut by hand from larger plates. This again suggests a 19th century origin as pre-cut plates and cameras to match were readily available in the 20th Century. (although larger ferrotype plates 14 x 10 inches were available at least until 1913)
These three ferrotypes of unknown young people, by unknown photographers,are broadly similar to the American Gem, but the mount is much smaller than the carte de visite size of the Gem, being 1.8 x 2.8 inches. The ferrotypes are held in place by paper cover sheets stuck onto the reverse. The ferrotypes are larger than those encountered on many of the American Gems and measure approximately 1 inch or 1.1 inches x 1.5 inches. From the images themselves these seem to be 19th rather than 20th Century. The overall size of the mount matches some versions of the midget carte de visite. We have yet to discover a contemporary name for these midget carte ferrotypes.
The three larger mounted ferrotypes above are all of unknown people by unknown photographers. The clothing of the subjects would put these in the 1920s/30s. The central example appears to have been tinted. The text in the background on the right hand image shows that the camera used reversed the image. The mounts have serrated patterned edges and are 3.1 x 5 inches, so midway between a conventional carte de visite and a cabinet photograph. The actual ferrotypes measure 1¾ x 2½ inches. Below the three mounted examples is an unmounted ferrotype 1¾ x 2½ inches taken from a similar mount, which was falling apart. This depicts two ladies in overcoats, apparently from the 1920s. Half way down the right hand edge of the plate is a small circular indentation and on the reverse is a corresponding slightly raised pinhead shape. These would have enabled the operator to load the plates into the camera with the correct orientation by touch. Jonathan Fallowfield, in their 1933 catalogue, were listing plates this size which they described as "dented" which they said was to prevent the plates sticking together as they were provided without paper in between and were ready to be loaded directly into magazines. [All of these very dark Tintypes have been lightened slightly in Photoshop in order to make the images visible]. To date we have not discovered a contemporary name for this type of presentation of a ferrotype.
This ferrotype is a larger size again from those above. It depicts two ladies in summer outfits from the 1920s, one holding a box camera. The subjects and the photographer are unknown. The serrated edged mount measures 3.75 x 5.25 inches and the ferrotype behind the mount is 2.4 x 3.4 inches. Again this is a dark image which has been slightly lightened to improve visibility. To date we have not discovered a contemporary name for this type of presentation of a ferrotype.
The ferrotype above is in a dome top mount with bronze decoration 3.6 x 5.6 inches. The ferrotype measures 2.5 x 3.5 inches. The photographer is unknown but the subject is identified in manuscript on the reverse of the mount "1860-1936 William Crowninshield Endicott son of William Crowninshield Endicott & Ellen Peabody his wife." Endicott was an American, but he had relatives in England - his sister was married to the UK politician Joseph Chamberlain. The phrase "Lets Make Whoopee" on the face of the mount was made popular in a 1928 song, so this can be dated to the late 1920s, early 1930s. Although this carte was purchased in the UK, it could have originated in the USA. To date we have not discovered a name for this novelty type of presentation of a ferrotype.
The above two examples are in grey card mounts, approximately postcard sized, 5.5 x 3.25 inches and 5.4 x 3.25 inches. Card positives in these mounts measure 4.5 x 3 inches. Invisible beneath the mount, the cards have a narrow black border. The cards are held in place by paper covers on the reverse of the mount. There is no printing on the reverse. The photographers and subjects are unknown. They depict seaside scenes, possibly from the 1920s. From the table above, these could have been taken by a pre-WW1 Mandel Combination Post Card Sleeve Camera, by the Chicago Ferrotype (Liverpool) Co.
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